Take Me to the Water: Black Madonnas and the Initiation of Possibility

Amey Victoria Adkins-Jones
Boston College
Date:Wednesday, March 26, 2025
Time:12 - 1pm
Location:24 Quincy Road, Conference Room
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For this colloquium, Dr. Amey Victoria Adkins-Jones will present work and discussion from her new monograph,Immaculate Misconceptions: A Black Mariology(Oxford University Press, 2025).Immaculate Misconceptionsbegins with the claim,Mary is Black,to ground how Christian-colonial imaginaries of salvation and identity are challenged when we rethink assumptions about race, gender, and divine significance through the lens of the Virgin Mary, and specifically, through a return to the Black Madonna. Staged as a Black feminist and womanist theological conversation, the book offers a layered journey through art, church history, theological inquiry, and Black studies to consider a theologypartus sequitur ventrem—arisingfromthe condition of the Black Mother,followingthe condition of the Black Madonna, andforthe consideration of all those who pursue justice and life at the spiritual intersections of the world. The book questions the ‘legislative doctrine’ around our perceptions of Mary as the Mother of God, and considers how Christian collusion with colonialism, capitalism, and anti-Blackness have worked theologically to deny Blackness from the realms of the sacred. Through the lens of the art and theology of the icon, the treatise thinks through Black women’s reproductive legacies theologically, and revisits the figure of the Black Madonna as fugitive, the womb as hush harbor, birth as liturgy, and Black life as holy.

Amey Victoria Adkins-Jones is assistant professor of theology and African and African Diaspora Studies at Boston College. She is author ofImmaculate Misconceptions: A Black Mariology(Oxford University Press, 2025).
Banks, Adelle M. “Yolanda Pierce on Grandmother Theology, Black Jesus and Mariology.”Interfaith America, 2021. https://www.interfaithamerica.org/article/yolanda-pierce-on-grandmother-theology-black-jesus-and-mariology/.
Lee, Courtney Hall. Black Madonna: A Womanist Look at Mary of Nazareth. Eugene, OR:Cascade Books, 2017.
Levine, Amy-Jill, and Maria Mayo Robbins. A Feminist Companion to Mariology. Cleveland,OH: Pilgrim Press, 2005.
Michello, Janet. "The Black Madonna: A Theoretical Framework for the African Origins ofOther World Religious Beliefs" Religions 11, no. 10 (2020): https://doi.org/10.3390/rel1110051.
Pinn, Anthony B. “Black Theology.” In Liberation Theologies in the United States: An Introduction, edited by Stacey M. Floyd-Thomas and Anthony B. Pinn, 15–36. NYU Press, 2010. http://www.jstor.org/stable/j.ctt9qgdgx.5.
In 2022, Christine Valters Paintner wrote .” This piece focuses on the history and importance of the Black Madonna for some Christians today. After sharing how she found solace in the Black Madonna after her mother's passing, Paintner describes that depictions of the Black Madonna are scattered throughout Europe, mainly in the form of paintings. The origins of the Black Madonna may be biblical or cultural; regardless, it plays a vital role for some Christians, and different paintings are often sights of pilgrimage. She notes that the Black Madonna takes on more significance for some feminist theologians, as it portrays the struggles of justice more poignantly than traditional portrayals of Mary. The Madonna’s Blackness is a powerful symbol of inclusion and shows the reach of her love. Dr. Amey Victoria Adkins-Jones' luncheon colloquium will focus on her findings in her recently-published monograph, Immaculate Misconceptions: A Black Mariology. She will discuss how we construct our views on gender and race and how depictions of Mary shape these constructions.

Amey Victoria Adkins-Jones discussing her latest book,Immaculate Misconceptions: A Black Mariology, at a luncheon colloquium.


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Photo credits: Christopher Soldt, MTS